Ngadlu tampinthi ngadlu Kaurna Miyurna yartangka. Munaintya puru purruna ngadlu-itya. Munaintyanangku yalaka tarrkarriana tuntarri.

We acknowledge we are on Kaurna Miyurna land. The Dreaming is still living. From the past, in the present, into the future, forever.

Cultural Sensitivity Warning
It is a condition of use of the cultural components of the Museum Archives that users ensure that any disclosure of information contained in this collection is consistent with the views and sensitivities of Indigenous people. Users are warned that there may be words and descriptions that may be culturally sensitive and which might not normally be used in certain public or community contexts. Users should also be aware that some records document research into people and cultures using a scientific research model dating from the first half of the twentieth century, and depicts people as research subjects in ways which may today be considered offensive. Some records contain terms and annotations that reflect the author's attitude or that of the period in which the item was written, and may be considered inappropriate today in some circumstances. Users should be aware that in some Indigenous communities, hearing names of deceased persons might cause sadness or distress, particularly to the relatives of these people. Furthermore, certain totemic symbols may also have prohibitions relating to the age, initiation and ceremonial status or clan of the person who may see them. Records included may be subject to access conditions imposed by Indigenous communities and/or depositors. Users are advised that access to some materials may be subject to these terms and conditions that the Museum is required to maintain.
Accept

' "Pahoho" (Mat). Kutia. Wife of Rauparaha. Otaki. Hamiti. A Chief of Okahuhu.'

Archive Collections / George French Angas / Series AA8/07 / ' "Pahoho" (Mat). Kutia. Wife of Rauparaha. Otaki. Hamiti. A Chief of Okahuhu.'

Original Watercolour
There is one original watercolour within this frame.

Notes: Kuitia the wife of Te Rauparaha is seated wearing a ngore-paheke (cloak) with coloured wool stitching. Hamaiti a chief of Okahuhu stands holding a taiaha (long club fighting staff) in his left hand. He wears a korowai-ngore (cloak) featuring black twisted thrumbs and woollen pompoms. Other adornment includes feathers in his right ear and a greenstone (nephrite jade) hei-tiki pendant. Kuitia has a kauwae (traditional Maori woman's chin tattoo) and Hamaiti a moko (traditional Maori facial tattoo). A gourd to the left of Kuitia has a flax chord as a handle for carrying the vessel used to store water. Behind is a portion of a whare (house) and palisade fence.

Signed by Angas

Lithograph
The original has been used in Angas's Portraits of the New Zealand Maori.

Lithograph caption: ' "Pahoho" (Mat). Kutia. Wife of Rauparaha. Otaki. Hamiti. A Chief of Okahuhu.'
Plate title: 'Kutia and Hamaiti'
Plate: 4
Notes:

Iwi [Tribe]: Ngati Toa
Location:

Former Accession Number 1474

CreatorGeorge French Angas
ControlAA 8/7/3
Date Range1844  -  1844
Quantity   1   Watercolour 33x24cm; Mount 44.5x34.5cm
Series AA8/07
BESbswy