Ngadlu tampinthi ngadlu Kaurna Miyurna yartangka. Munaintya puru purruna ngadlu-itya. Munaintyanangku yalaka tarrkarriana tuntarri.

We acknowledge we are on Kaurna Miyurna land. The Dreaming is still living. From the past, in the present, into the future, forever.

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It is a condition of use of the cultural components of the Museum Archives that users ensure that any disclosure of information contained in this collection is consistent with the views and sensitivities of Indigenous people. Users are warned that there may be words and descriptions that may be culturally sensitive and which might not normally be used in certain public or community contexts. Users should also be aware that some records document research into people and cultures using a scientific research model dating from the first half of the twentieth century, and depicts people as research subjects in ways which may today be considered offensive. Some records contain terms and annotations that reflect the author's attitude or that of the period in which the item was written, and may be considered inappropriate today in some circumstances. Users should be aware that in some Indigenous communities, hearing names of deceased persons might cause sadness or distress, particularly to the relatives of these people. Furthermore, certain totemic symbols may also have prohibitions relating to the age, initiation and ceremonial status or clan of the person who may see them. Records included may be subject to access conditions imposed by Indigenous communities and/or depositors. Users are advised that access to some materials may be subject to these terms and conditions that the Museum is required to maintain.
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'The Aboriginal Inhabitants'

Original Watercolour
One original watercolour within one frame.
I - XIII. no data
XIV. Nulgta. Moorundee
XV - XVIII. no data

Frame signed by Angas.

Lithograph
The original has been used in Angas's South Australia Illustrated, plate number 47. The title of the watercolour is the same but the plates differ;
I - XVIII captions in text.
Frames have been reversed.
V. Shows different shield compared to original. XIII. Man has black hair and different cloak. XIV. Man has black hair.
Lithographer no necklace in original and different cloak. Frames XVI & XVII show dagger and fish hooks respectively, in original these numbers represent cooking ovens.

Lithographer G F Angas

Former Accession Number 1603

CreatorGeorge French Angas
ControlAA8/2/16
Quantity   1   Watercolour; 50x34cm; Mount 68.5x51cm
Series AA8/02
BESbswy